Cruel Comedy, a double bill of short plays by Octave Mirbeau will be playing at the Great Northern Railway Tavern on Friday 8th July at 6 p.m., on Saturday 9th July at 2 p.m. and 6 p.m., and on Sunday 10th July at 6 p.m.
Cruel Comedy is a double bill of short plays by the French anarchist writer Octave Mirbeau from his set of Farces et Moralités, first published in 1904. Mirbeau was a pretty savage critic of the society in which he wallowed and I hope I've carried through some of the anger and incredulity that informs Interview, a satire on the press of his day which we've updated to be a take on social media as Snoop. Les Amants - which I've translated as Lovers - is on the other hand a satire on the personal rather than the public.
A quick post with the file for 'A Door (Must Be Open or Shut)'
A fun part of the production has been assembling props - a 40s Woodbine astray, an old-fashioned bottle of scotch, a cigarette case and a whiff of 40s in the costume of the characters. And the cast - Anna Rogers, Matt Griffin and Ruari Johnson - have been extraordinarily successful at bringing Musset's characters to life in a faux-Fitzrovian setting.
Where Kho went wrong Khoai goes right - keep it simple on service and dish up the good stuff.
Part of the fun of staging a period piece is assembling (and drinking) the props! A short post on my new theatre production for the Crouch End Festival.
A brief post rounding up all of the shows being put on by the superabundantly talented Crouch End Players for the Crouch End Festival.
Now that A Midsummer Night's Dream has finished it's time to flag up my own next production with the Crouch End Players as part of the Crouch End Festival. As part of an evening of new writing I'm directing a new translation of the French classic, A Door (Should Be Either Open Or Shut).
Post-show blues only mean you should get on with something else.
Lancret, Marivaux and Ric Lindley
Comparing the modern Crouch End Players to the Comedie-Italiennes may be a first but it isn't without justification.
A London Journal 